'French Connection' and 'Exorcist' cinematographer Owen Roizman dies

Five-time Oscar nominated cinematographer Owen Roizman, who shot landmark films including "The French Connection," "The Exorcist," "Network" and "Tootsie," has died. He was 86.
The American Society of Cinematographers confirmed Saturday that Roizman had died after a long illness.
New York-born Roizman, who died at his home in Los Angeles, was given an honorary Oscar for his career achievements in 2017, having retired from the film business in the 1990s without yet taking home one of the Academy of Motion Picture Arts and Sciences gold statuettes, despite the multiple nominations.
Roizman was known for his collaborations with Sydney Pollack and William Friedkin. His film work included "Play It Again, Sam," "The Heartbreak Kid," "Three Days of the Condor" and "Wyatt Earp."
He received his first Oscar nomination for 1971's "The French Connection" — his second film — which starred Gene Hackman as a violent police detective. After filming the influential Friedkin-directed neo-noir crime thriller, including its famed car chase sequence, Roizman became known for his "gritty" documentary style, a designation he found amusing, given the wide variety of genres in which he excelled.
"Immediately after 'The French Connection,' I got labeled as a gritty New York street photographer, which I thought was very funny because I had never shot anything like 'The French Connection' before that," Roizman told the Los Angeles Times in a 2017 interview. "I got a kick out of that. My primary goal was always just to serve the story and to tell the story visually the best way I knew how."
Roizman, born in Brooklyn, New York, on September 22, 1936, grew up with camerawork in his blood.
His father, Sol, was a cinematographer for Fox Movietone News. His uncle Morrie was a film editor. After graduating from Gettysburg College in Pennsylvania, he began his career as an assistant cameraman in commercials and worked his way up to cinematographer.
He got his break in a low-budget 1970 film, "Stop," that was seen by almost no one — except for some key people — Friedkin and "The French Connection's" producer Phil D'Antoni, who liked his work.
Roizman moved from New York to Los Angeles in 1976, later establishing his own TV commercial production company, Roizman & Associates.
His other Oscar-nominated work spanned several decades, including Sidney Lumet's TV news satire "Network" (1976), Pollack's Dustin Hoffman comedy "Tootsie" (1982) and Lawrence Kasdan's Western "Wyatt Earp" (1994). "The French Connection," "The Exorcist," "Network" and "Tootsie" were all nominated for best picture as well. "The French Connection" won.
In 1997, he received a lifetime achievement award from the American Society of Cinematographers.
He said he never regretted turning down any film — even "Jaws," the industry-changing Steven Spielberg summer blockbuster from 1975.
"We spoke for maybe three hours on the phone, and I really liked him — and I still to this day love the guy," Roizman said. "But what he didn't know is that I was thinking to myself the whole time, as he was describing the story to me, 'Jesus, a shark terrorizing a town on Long Island — that means going on a boat a lot.' I get seasick. So that didn't sound too inviting to me. So I turned it down really for that reason."